In the film, the authors act as researchers of the Thaw era and the generation of the sixties.

A magician steps upon the stage carrying a hoop covered with white paper. Then in quick succession the flags of Germany, Russia, Ireland, England and China are brought forth, and from each a soldier is produced corresponding with the flag of each nation. The magician adds a bit of comedy to the scene by producing a decidedly Hibernian policeman from the flag of Erin's Isle. The magician then waves his hand and the flags of all nations slowly dissolve and blend into one huge American flag.

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Vienna 1965. While visiting the Wax Museum a group of tourists stop in front of the figure of Prince Metternich. All of a sudden they find themselves brought back 150 years earlier during the Vienna Congress of 1814-1815. Before their eyes wide open, history is in the making. Gathered around the Tsar of Russia, Alexander I, the Kings of Bavaria, Würtemberg, Prussia and Denmark, are persuaded they are building the future Europe whereas they are being manipulated by foxy Chancellor Metternich, he himself under the thumb of cynical Count Talleyrand, the French representative. All those considerations come second though to partying and social life, which is all these aristocrats really want out of this congress.

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Making of "20th Century Nostalgia"

His voice, his gaze, and his movement rescue Jorge Donn from oblivion. Drawing on an intense archive, the film reconstructs a unique life: a journey through his glory alongside Béjart, his tragic fate, and a body that never ceased to shine.

On the one hand, a healthy child who has enough to eat. On the other hand, a poor, undernourished kid. On the one hand, a quarter of the blue planet's children. On the other hand, the remaining three quarters.